Customer Reviews
A Real Collectors Item - By: Adrian Drew, 20 Aug 2008 
Volume One & Two of this set of virtually every ghostly tale James wrote is a real investment. Perfectly read & paced, it is bound to delight fans of the rich & strange.
Spooky, seductive, sensational! - By: Dr. George L. Sik, 04 Mar 2008 M.R.James is rightly acknowledged as the king of the fireside ghost story, but this presentation of his tales - each & every one of them over two volumes - is unique & very special indeed.
His students used to love him reading his tales & sending shivers up their spines & now you can have that experience yourself: just dim the lights, light the fire if you have one (or at least switch off the telly!), sit back & let your imagination provide the pictures.
Seductively read, beautifully packaged & supernaturally stimulating - a British tradition at its best.
Splendid Collection Of Vintage Ghost Stories - By: The Glum Reaper, 26 May 2007 There is a powerful case for arguing that the best way to access the ghost stories of M.R. James [1862-1936] is via an audio recording. After all, James originally composed the tales for reading aloud on Christmas Eve, first (allegedly) to the chorister school, & later to his immediate circle of college friends. And although there have been many impressive celluloid adaptations of James' work - Jonathan Miller's Oh Whistle & I'll Come To You, Jacques Tourneur's Night Of The Demon & Lawrence Gordon Clark's Lost Hearts & A Warning To The Curious being the pick of the bunch - nothing quite beats the thrill of listening to the stories read aloud.
Craftsman Audio Books have undertaken the not undaunting task of recording all of James' published ghost stories. In addition, the reading of one unpublished tale (The Fenstanton Witch)in its original state is planned for a later volume. These thus faithful & unabridged collected readings are to be releasedin two volumes. Each volume comesin a handsome, sturdy box-set which is composed of several discs (carefully boundin so as to minimise damage). The cover design features a suitably atmospheric montage comprising old books, a gold crown, a skull & the sinister puppet Mr Punch (the latter my personal favouritein the disturbing stakes).
Volume one features fourteen stories over 8 discs with a running time of 8 ½ hours. With a seemingly intimidating retail price of circa £45 that actually equates to a little over £5 per hour, which is perfectlyin line with both previous James' readings & indeed contemporary releases by other publishers. After all, you're getting the equivalent of three double-cassette box-sets here, not to mention original incidental music & carefully researched readings. And brilliant though James is, his work is still relatively obscure compared to many mainstream novelists: we should count ourselves very lucky to have a complete unabridged recording at all. Not even James' literary idol J.S. Le Fanu has been awarded that honour.
The reader David Collings is enjoying a quietly illustrious career which has included many forays into the byways of mystery & the supernatural. In 1970 he appearedin Robert Louis Stevenson's The Suicide Club for ITV's `Mystery & Imagination' series; this was followed by appearancesin Blake's Seven & Dr Who. However, although this represents a mere fraction of his work, for me his most memorable performancesin the genre occurredin Sapphire & Steel, where Collings played Silver, a colleague of Joanna Lumley & David MacCullum. Impeccably turned-out & well-mannered, Silver provided a wonderful contrast to Steel's brusque, often rude approach to life.
Collings' readings are gently beguiling. He reads with unaffected modesty, & is adept at both switching & keepingin character[s]. His narrational reading voice is low, comforting, mellow, & possessed of a slight roll or burr on the letter `r'. Many of his characters are given a slightly higher-pitched, querulous voice, which suits the often highly-strung Jamesian `hero'. He also appears at ease when wading through dead languages & obscure place names, which is no doubt a reflection upon the studious attention to research for this project. Allin all, Collings' readings are an auditory tour-de-force, sweeping aside the lesser efforts of Nigel Lambert, Robin Bailey, Andrew Sachs et al, with one insurmountable exception: the readings of the late Michael Hordern. In my opinion, Hordern's readings cannot be bettered. Horden's readings for Argo are surely the benchmark by which all others should be judged, just as James' ghost stories are the benchmark by which all other ghost stories have come to be judged. However, given the detail to attentionin Collings' readings, coupled with the completeness of the project, his efforts are nevertheless on a par with those of Hordern. Indeed, had he beaten Hordern to James, then he might have even had the advantage.
The incidental music by East Anglian composer Leigh Odlin is suitably eerie & discordant. It would appear to fuse classical simplicity with an homage to the soundtracks of vintage ghostly dramas from the television e.g. The Omega Man, Tomorrows People, Sapphire & Steel. There is a creepy electrical zingyness to some of the music which harmonises well with the melancholy piano.
An accompanying CD disc details the useful `chapter' breaksin the recording. This alone makes the box-set more practical than its predecessor tape versions. Rather than mess about with fast-forwarding & rewinding - all of which damages audio tape anyway - you can now quickly access a convenient chapter pointin a split second. Also included is an informative introduction by Reggie Oliver, himself the author of several highly regarded Jamesian tales, & now surely the pre-eminent expert on M.R. James. Although Oliver is too modest to mention the fact, he attended Eton on the very same scholarship as M.R. James, & thus enjoys a uniquely valuable insight into James' world which has not been accorded to any other scholar of the supernatural (with the possible exception of H.R. Wakefield, who also won the very same scholarship).
Oliver side-steps individual story dissection except where biographical, as well as eschewing the controversies surrounding psychological interpretations of James' ghost stories, to present us with a comprehensive overview of `James the man'. The article is however simply the first of a two-parter, the conclusion to appearin the next instalment of The Complete Ghost Stories Of M.R. James. There can be little doubt that if anyone is to author a definitive study of both James' ghost stories & his life as a scholar, it must be Oliver. No genre expert comes even close to rivaling his knowledge of James' work & the curious world James lived in; Oliver movesin deeper, more scholarly waters, having been groundedin a similar classical education.
In conclusion, the Craftsman Audio Books publication of The Complete Ghost Stories Of M.R. James is an important new addition to the M R James canon, just as a DVD box-set release of the BBC's Ghost Stories For Christmas would be. There are two very compelling reasons for buying it: first, because you simply have to have it; secondly, because you know you want it. It's either that or go without, & then have to pay astronomical sums for a second-hand copy on Ebayin years to come.
